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For those unfamiliar with the concept, this songs about dope dealing. Lil’ Lody gives us another dope beat with synths dancing over the track while a majestic horns play in the background.
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“Live From The Kitchen” is a surprise here as the title track was actually left off the album. Lil’ Lody produces “Real Shit” and gives us a mellow mix of pianos and airy high pitched female vocals. Yo Gotti’s sense of honesty and reality shines through in every word and is emphasized by his thick, southern drawl. Realest nigga in it, I been real since day oneĪnd a nigga keep saying I’m one song awayįuck that, I’m five million dollars strong today” Some of these niggas like my brothers they been real since day one Tip hit a nigga up trying to get me Grand HustleĪll these niggas is my niggas and I respect the hustle Ross hit a nigga up trying to put me on Maybach Record label can’t get it right, they pushed the date back I been going through a lot of shit, fucking with this model chickīaby mama left a nigga now it’s hard just to see the kid Security tried to arrest a nigga, but instead they kicked me out Lil rappers playing with me, trying to stop from clicking outĭid a show in Alabama, yeah my strap was sticking out My brother back in jail, my songs leaking out Young niggas, extended clips, black nines, number five Running round, talking down, playing games, niggas die In the streets niggas look up to Gotti and I understand whyĪin’t on that slick shit, nigga, I see eye to eye He’s a pussy and I exposed this nigga, I sell hope See these niggas sub-leasing, but his fans don’t know Nigga, I just bought a Phantom off the showroom floor For some, the remaining songs may be just as generic as Yo Gotti rarely ventures from relating tales of his life, both in the dope game and rap game. Unfortunately the concept is pretty damn repetitive on “I Got Dat Sack” and “Kill Dem Hoes” is actually a song by some wack rapping chick named Sylver Karatz that only features Yo Gotti. It’s a generic but satisfying recipe for southern beats. “I Got Dat Sack” and “Kill Dem Hoes” both have hard hitting bass and minimal, dark synths. The beats are all dope, even on the ones that didn’t make the cut. The songs found on the mixtape are all original. The interludes find Yo Gotti telling us the story of how he found out about “Live From The Kitchen’s” release date, how much he loves his fans, how his label came about, etc. So out of the 8 actual songs on this mixtape, 6 were dope to me. They are very informative and entertaining for the most part, but one listen was enough for me to get the idea. The number is deceitful because out of the 14 tracks found on this mixtape, 6 are actually 1 minute interludes that consist of Yo Gotti speaking on a variety of issues. On this mixtape I found myself sparing 6 out of the 14 songs from the dreaded bin. The process frees up my hard drive and ears from unnecessary material. Rapper’s generic take on the beat of the week? Recycle Bin. Dope song with a DJ yelling every 30 seconds? Recycle Bin. It’s a simple process with a plethora of factors that influence. Then throw out anything I don’t see myself listening to again. I’ve reduced mixtapes to a practical process. “January 10th” serves both as a way for Yo Gotti to vent and clear up a few issues and drop some tracks which were left off the retail version of his album. Yo Gotti rightfully calls himself one of the most popular rappers on the mixtape circuit and is unhappy with the unceremonious manner his album has been treated. After being in limbo for over 5 years, Yo Gotti only learned of “Live From The Kitchen’s” release date when someone told him the album was up for pre-order on iTunes. Yet, with “Live From The Kitchen” Yo Gotti felt a little disrespected and for good reason. His major label “debut” dropped on Januand this mixtape was meant to both undercut and advertise “Live From The Kitchen.” Like any rapper, Yo Gotti wants to sell records. The second reason is the fact this date holds some significance to the Memphis emcee. Name the mixtape after its release date and advertise both with one short phrase. Yo Gotti’s latest mixtape veers from his every popular “Cocaine Music” concept for more than a few reasons.